While Gene and I were in Los Angeles staying with our granddaughter while her parents went to Korea to get their new adopted son, we were able to go to 5- LA museums! Favorite show was the Turner Exhibition at the Getty Center, organized by the Tate and you won’t want to miss it. I had seen many Turner watercolors but not these oils and the wonderful way he could paint transparent textures.
February 24–May 24, 2015GETTY CENTER, Los Angeles.
June 20, 2015 – September 20, 2015 FINE ARTS MUSEUM, San Francisco
Another great thing the Getty is doing is offering a free mobile tour like you can do in the museum, only you can do it on your mobile or home computer. You do not have to be there! You can hear about the paintings and techniques. Check it out: http://www.getty.edu/mobile/gettyguide/center/exhibitions/turner/list.html
Tuesday, APRIL 4 is the one-time-only showing of the Van Gogh Museum Opening in Amsterdam in the iMax theaters. Check fathomevents.com to see if it is showing in your area.
This painting titled “Palmetto Shadows” (30″ x 30″ acrylic on linen) has been accepted into the Carolina’s Got Art exhibition in the month of May, 2015 at Elder Gallery, Charlotte. This competition was open to both North and South Carolina and only one in ten was accepted, so I am quite honored to participate. If you are in the area, opening date is Friday, May 1, 6 – 9 PM. Would love to see you!
As I am nearing retirement, there are a couple of spots available on the Painting Holiday Workshops to Lake Como and Venice, Italy – two very popular sites so they have filled quite rapidly and it isn’t until now that I am publicizing word about them. However, we have had a couple of cancellations in each, so I am now offering them on these links below. It will be on a first come-first served basis and the euro exchange is great! Please email me ASAP if you are interested (firstname.lastname@example.org). They won’t be around very long. I will send you more important information by email. Please view the red links below for answers to most of your questions.
LAKE COMO, BELLAGIO http://jannpollard.com/2015-lake-como-italy/
I am proud to announce my painting, “Paris Street Shadows” has been accepted into the Southern Watercolor Society’s 38th Annual Exhibition. This show includes entries from all of the southern states: Alabama, Arkansas, Delaware, Florida, Georgia, Kansas, Kentucky, Louisiana, Maryland, Mississippi, Missouri, North Carolina, Oklahoma, South Carolina, Tennessee, Texas, Virginia and West Virginia.
I had purchased a special bark paper in my favorite historical, Paris art store, Sennelier – no saving of whites in this one. The paper had a lot of great, natural texture and it was fairly dark. The challenge of this painting was to make the texture work with the painting’s design. I used a touch of iridescent acrylic in the sky area.
The exhibition will be at the Customs House Museum in Clarksville, Tennessee, May 8 – July 5, 2015. www.customshousemuseum.org
Being an artist isn’t just about painting; the business side takes as much time as the creative time. I just finished an enormous project of scanning old photos of my paintings, and then editing, color correcting and cataloging almost 1600 images. It is something I needed to do as I had digital copies of about 600 of these, but another 1000 were mostly old, bad exposure photos. It took a long time, yes, but in doing this, I was able to revisit these old paintings and the many places I have traveled to paint – Carmel, England, Scotland, San Francisco, Napa, Burgundy, Provence, Dordogne, Paris, Tuscany, Venice, Lake Como, Amalfi, Sicily and more. I have a fairly good color-memory but revisiting a certain painting reminded me of a light-bulb milestone in a painting technique – one you do not forget. I would come across one and think, ‘Wow, I did that?” I had forgotten.
How and why did I do this? I now have copies of them safely ‘in the sky’ with several additional backups. Each image is in IPhoto, in my Pictures (easier for viewing) and in a FileMaker database. In an instant I can find, for example, all paintings of Paris. I am stating this to emphasize the importance of keeping records (often not too popular with artists). Galleries and your clients will love it!
The watercolor painting above of Angel Island is the very first major competition (the San Francisco Art Festival) I entered and was accepted in about 1970. This information is now instantly at my fingertips.